This is my signature course, and the subject of my current research project exploring and critically examining the manufactured and monetised tension between body and mind, through the lens of a garden ecosystem.
This is a space for garden witches, compost feminists, educators and facilitators looking for a reading group or syllabus that incorporates the Earth, bodywork practitioners, RSE developers, ethnobotanists, and, of course, gardeners who also love books.
Both the book and the course are intentionally interdisciplinary, drawing on and digesting insights from philosophy of emotion right across the disciplines, as well as methodologies and modalities from art (including horticulture!) and the Arts & Crafts Movement in particular, somatics, soil science and regenerative agriculture, poetry, and political engagement. These insights are composted and applied to what I identify and flesh out as The Ginkgo Problem, with urgent implications for the contemporary lived experience: from the role of shame in epistemic corruption, to the precarity and pleasure oppression at the heart of post-pandemic life.
I have designed this course to be an intellectual compost heap on ten of the book’s most provocative chapters, so in taking this course you will also be contributing to its growth and development (and will be credited as such!).
Stay tuned for the programme and opening dates!
Project Events
I will shortly be adding a series of public talks, exhibitions, and academic lectures to this page. Do get in touch if you’d like me to lead or speak at an event at your organisation.
June 2023: Invited talk, Aesthetics and Political Epistemology Conference, University of Liverpool. Organised by Katherine Furman, Vid Simoniti, and Robin McKenna. Funded by a British Society of Aesthetics Connections Grant (£12,000).
Short Film: Wise Women of the Estuary produced by Lynne Parker, creative producer and founder of non-profit Funny Women CIC and Essex based film maker Sarah Elliott, funded by Creative Estuary x Arts Council England.
Autumn 2022-pres.: Exhibition concept, “Wise Women: Emotions, Injustice, and the Body”, co-organisers Camille Cronin, Charlotte Hamilton, Xtina Lamb, Alex Martin-Carey, and Lauren Ware. Engagement sandpit grant funded by Creative Estuary and Arts Council England (£18,000).
September 2021: Workshop, “The Politics of Intimate Life”, Manchester Centre for Political Theory, co-organisers Lauren Ware and Luke Brunning.